IK Multimedia TONEX ONE+ Pedal
Sonic Authority in a Micro Format: Why the TONEX ONE+ Is a Game Changer
Why wear yourself out lugging a massive amplifier when absolute sonic perfection now fits in the palm of your hand? The IK Multimedia TONEX ONE+ isn't just a simple effects pedal; it's an entire ecosystem that solves the modern musician's most persistent problem: getting a world-class sound, consistent night after night, without the logistical burden.
Whether you're in the middle of a tour, navigating the volume restrictions of today's venues, or in your home studio, this feat of engineering uses AI Machine Modeling technology to reproduce the grain, warmth and dynamics of the world's best amplifiers with a fidelity indistinguishable from the real thing. The integration of TRS stereo outputs, a smart noise gate and the ability to use it as an audio interface make it the true brain of your pedalboard.
Complete Technical Specifications
Here is the absolute, exhaustive technical extraction of the unit, without compromise.
Audio & DSP Specifications
| Feature | Detailed Specification |
| Modelling Technology | AI Machine Modeling™ (DSP neural network) |
| Conversion Resolution | Ultra-linear 24-bit A/D and D/A |
| Sample Rate | Up to 192 kHz (internal processing) |
| Dynamic Range (Signal to Noise) | 123 dB (virtually imperceptible noise floor) |
| Frequency Response | 5 Hz to 24 kHz |
| Bypass Types | True Bypass (electromechanical relay) or DSP Bypass |
| Built-In Effects | Noise Gate, Compressor, 3-band EQ (Bass, Mid, Treble), stereo Reverb (algorithms derived from AmpliTube X-SPACE) |
Connectivity & Interfaces
| Feature | Detailed Specification |
| Instrument Input | 1x 1/4" (6.35mm) TS mono, ultra-high input impedance (1 MOhms) to preserve transients |
| Audio Output | 1x 1/4" (6.35mm) TRS stereo (usable in mono, direct stereo, or dual mono via insert cable) |
| Output Impedance | 600 Ohms (ideal for driving a console, a DI or a power amplifier) |
| Digital Port | USB-C (bidirectional 2-In/2-Out audio transmission, preset management via software) |
| Visual Indicators | Fully customizable RGB micro-LEDs (colour assignment per preset) |
Dimensions, Materials & Power
| Feature | Detailed Specification |
| Physical Dimensions | 48 mm (W) x 94 mm (D) x 53 mm (H) - "Micro Pedal" format |
| Gross Weight | 160 grams (0.35 lbs) |
| Chassis Material | Military-grade anodized brushed aluminum |
| Power Requirements | 9V DC (direct current), centre negative polarity |
| Power Consumption | 120 mA (compatible with most standard isolated power supplies) |
Software Ecosystem
| Feature | Detailed Specification |
| Management Software | TONEX Librarian (Mac/PC application) |
| Integration | Works as a VST/AU/AAX plug-in or Standalone |
| Internal Storage | 20 presets directly navigable on the pedal (expandable via software) |
| ToneNET Access | Access to tens of thousands of Tone Models created by the community and artists |
Industry Comparative Analysis
This analysis is synthesized from the editorial consensus of industry experts (Sound on Sound, Gearspace, MusicRadar, Premier Guitar).
| Alternative Product | Market Segment | Comparative Analysis (Technical Facts vs TONEX ONE+) | Availability at Garage à Musique |
| Strymon Iridium | High-End Amp Modeller | The Iridium shines on Fender/Vox clean models, but the TONEX far excels at reproducing high gain thanks to AI profiling. | Available here. |
| Boss IR-2 | Compact Amp/IR Pedal | Boss offers classic "dedicated knobs" ergonomics; the TONEX ONE+ surpasses the algorithm with its more organic "neural capture" approach. | Available here. |
| Kemper Profiler Player | Premium Profiling Modelling | The Kemper offers a more extensive effects chain, but costs about three times the price and takes up triple the space on the pedalboard. | Available here. |
| Universal Audio Dream '65 | Specific Vintage Emulation | Exceptional emulation but limited to a single amp type. The TONEX loads thousands of different amps on the fly. | Product not listed. |
| Line 6 HX Stomp | Advanced Compact Multi-Effects | The HX Stomp is king for complex routing and MIDI. The TONEX ONE+ aims for the raw purity of amp modelling in a microscopic format. | Available here. |
| Walrus Audio ACS1 | Stereo Amp/Cab | The ACS1 lets you pan a different amp left and right. The TONEX wins on raw dynamics (123 dB of range) and the variety of Tone Models. | Available here. |
| Two Notes Opus | Hybrid Cab/Amp Simulator | Opus is superior for fine-grained cabinet editing (DynIR technology). The TONEX ONE+ is superior for capturing the amp head (Profiler). | Available here. |
| NUX Amp Academy | Budget Modelling | Respectable value for money for NUX, but the A/D converters and digital gain headroom are technically inferior to the TONEX. | Product not listed. |
| TC Electronic Ampworx | Dedicated Amp Pedal | Affordable, but locked to a single profile (e.g. JCM800). The TONEX is an open, evolving ecosystem. | Available here. |
| IK Multimedia TONEX Pedal | Standard-Format Profiler | The "big brother". Offers 150 presets, full MIDI implementation and an LED display, but sacrifices the space-saving concept on the pedalboard. | Available here. |
History & Technological Evolution
To understand the impact of the TONEX ONE+, you have to go back to 2002. IK Multimedia then launched AmpliTube, paving the way for the modern era of in-the-box guitar recording. For two decades, algorithmic modelling reigned, but purist guitarists were looking for the physical interaction of the tube.
In 2022, the artificial intelligence revolution hit professional audio with AI Machine Modeling, which no longer simulates, but mathematically captures the chaotic behaviour of analog circuits. After the launch of the award-winning TONEX software, then the imposing TONEX Pedal, the community demanded the impossible: that same colossal computing power in a format compatible with any compact pedalboard. The TONEX ONE+ is the culmination of this race toward audiophile miniaturization.
Cultural References & Artists
The IK Multimedia modelling ecosystem and DSP digital rigs have won over the elite of professional musicians, whether on tour or in the creative phase:
Joe Satriani - The Elephants of Mars (2022) - Satriani has used the IK Multimedia architecture for years to prototype his signature leads in pre-production.
Slash - "4" Tour with Myles Kennedy (2022) - A longtime devotee who uses his signature AmpliTube system for backstage warm-ups and practice.
Misha Mansoor (Periphery) - Juggernaut (2015) - Legendary pioneer in the use of pure modelling to achieve the ultra-defined "Djent" sound.
Rabea Massaad - Grinding Gears (2023) - Official artist and creator of a massive collection of high-gain Tone Models specifically for the TONEX ecosystem.
Devin Townsend - Empath Tour (2019) - Makes extensive use of amp profiling to recreate his immense orchestral wall of sound live without walls of cabinets.
Tosin Abasi (Animals as Leaders) - Parrhesia (2022) - Architect of a polyrhythmic sound that requires the total absence of background noise offered by DSP units.
John Petrucci (Dream Theater) - Terminal Velocity (2020) - Cutting-edge modelling lets him capture complex ideas in hotel rooms around the world.
Herman Li (DragonForce) - Reaching into Infinity (2017) - Early transition to fully "ampless" stage systems to optimize In-Ear mixes.
Ola Englund (The Haunted) - Master of the Universe (2019) - His extensive TONEX demonstrations validated its "tube-like" responsiveness with the global metal community.
Pete Thorn - Pete Thorn (2018) - The famous "guitar nerd" uses modelling in the studio to clone priceless or unobtainable boutique amps.
Plini - Impulse Voices (2020) - His architectural approach to guitar relies entirely on the surgical purity of latest-generation modellers.
Guthrie Govan (The Aristocrats) - Culture Clash (2013) - One of the first to embrace digital "fly rigs" to make up for unreliable rental amps at clinics.
Cory Wong - Cory Wong & The Green Screen Band (2017) - Expert use of amp emulation in ultra-clean and DI mode to sculpt his funk rhythm playing.
Tim Henson (Polyphia) - Remember That You Will Die (2022) - Builds hybrid textures using extreme EQ models impossible to recreate in analog.
Brian May (Queen) - Rhapsody Tour (2019) - Has long endorsed IK Multimedia's emulation of his legendary "Deacy Amp" for recording.
Musician's FAQ (Technical Expertise)
What is the latency of the IK Multimedia TONEX ONE+ in live use?
The internal DSP conversion latency is kept below 3 ms, a virtually imperceptible delay, comparable to the acoustic distance between a musician and their physical cabinet.
Can the TONEX ONE+ replace my USB audio interface for the studio?
Absolutely. Thanks to its USB-C port and native 24-bit/192kHz converters, it acts as an ultra-low-latency 2-In/2-Out audio interface, letting you record directly into your sequencer (DAW).
Is it sensitive to RF interference or ground loop problems?
The anodized aluminum chassis provides exceptional shielding against radio frequency (RF) interference. In the event of a ground loop linked to the power supply, its built-in noise gate and external power isolators will solve the problem immediately.
How do you handle gain staging between different Tone Models?
Tone Models naturally vary in intensity. The main volume knob and the assignable compressor allow surgical balancing (leveling) within the TONEX software before you even transfer your presets to the pedal.
Can the phantom power (48V) from my mixing console damage the pedal?
Although the TONEX ONE+ TRS output is isolated and unbalanced by design, professionals always recommend using an intermediate direct box (DI) if you're connecting to a console sending 48V, to ensure complete circuit safety.
Can you load third-party IRs (Impulse Responses) into the TONEX ONE+?
Yes, the power of the TONEX ecosystem lies in its flexibility. In addition to the VIR™ cabinet captures exclusive to IK, you can import your own custom IRs in WAV format via the management application.
Does the TRS stereo output require a specific insert cable to drive two amps?
To route the signal to two power amps or two console channels in stereo (L/R), you do indeed need a Y insert cable (1/4" TRS to 2x 1/4" TS mono).
How many presets can I physically save on the pedal?
You can save up to 20 high-definition presets directly in the hardware's internal memory, easily navigable via the built-in switch or configurable via the software environment.
Is the pedal True Bypass or DSP Bypass?
Both options are selectable! You can choose a mechanical relay True Bypass for total transparency when the pedal is off, or a DSP Bypass to let Reverb tails ring out naturally (Trails) when disengaging.
Can I integrate it with the other modelling gear available at my local store?
Perfectly. It pairs exceptionally well at the end of the chain with other gear you'll find at Garage à Musique. As experts, we recommend the TONEX ONE+ as the central core, supported by dedicated delays and modulations for an optimal professional rig.